LOG - flat color space (BMD Film, RedLogFilm, Cinestyle).The CineColor LUTs come with four additional LUTs that will convert your footage to standard color space (Rec.709). ![]() If your camera shoots in a flat LOG profile, like S-Log (Sony A7S, FS-7, etc.) or C-Log (Canon C100, C300, etc), then you can apply one of our additional LUTs, to convert your footage to Rec.709 So if your camera shoots in Rec.709, then you can directly apply any of the CineColor LUTs to your footage. ![]() Watch this video on how to use LUTs in Final Cut Pro X Ĭompatible with most digital video and stills cameras!ĬineColor LUTs work with Rec.709 footage which is standard color space. LUT Utility is a paid plugin that you can buy here: If you want to use the CineColor LUTs in Final Cut Pro X then you will need to install a plugin that let you load the LUTs. These original looks have been used in numerous films, music videos and documentaries that Tom worked on. The entire collection of looks was created by Tom Antos to aid in his workflow over the past few years. ![]() Each LUT creates a unique look that can be used on it's own or in combination with your traditional color grading workflow. Special limited time offer!!!Ĭollection of 40 look-up-tables (LUTs) that will quickly transform your footage to give it a cinematic look. Pack 1 or Pack 2 only $15 each or $22 for both.
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